rose shakers

all is leaf 
so to amplify the wonder
 (2020, 14′, 16mm and digital)

A new 16mm film work reflecting upon a series of artist-led journeys to encounter traditionally sacred herbs growing in the wild at Organiclea food growing cooperative on the edge of Epping Forest in London during Summer 2019.

The performance/participation-based gatherings centred around a sculptural installation created on the land together with artist/architect Claudia Palma – the primary colours and geometric shapes acting alongside sounds to awaken and expand perceptions. Within this atmospheric setting, a series of artist-made herbal vision cards and a spinning sculptural object formed the basis for a collective ritual to divine the plant to be journeyed to on that day.

Working together with sound therapist Nicole Bettencourt Coelho, herbalist Rasheeqa Ahmad, and choreographer Fernanda Muñoz Newsome, the gatherings created a space for local gardeners and others to spent time in the presence of certain plants on site. Inspired by the myth, folklore, astrology and healing properties of the herbs, each encounter was held in a different way. Participants’ intuitive responses and embodied impressions were explored through collective sounding, movement and drawing.

The work was influenced by the artists’ research and interests in sensory herbalism, shamanic cosmologies, Goethian science, plant folklore and myth, and Indian tattva meditation methods.

The weaving together of these materials and imagery of the plants for the 16mm film work forms an incantation, calling for re-enchantment with each other and the non-human, in times of ecological crisis.

Filmed by Rosalind Fowler with additional footage by Adam Harman. Sound composed by Jason Dungan, including recordings of performances by Nicole Bettencourt Coelho of gongs, crystal bowls, shakers and voice used during the Summer processes.

This project was supported by ACE, with additional support from Barbican, City of London, and Loughborough London Open Fund.

The creation of the work coincided with and aims to raise awareness of an emerging community Apothecary in the Borough led by Rasheeqa and Organiclea. We worked with herb growers and gardeners across the Borough of Waltham Forest including a partnership with the Drawing Shed growing community based on a housing estate in E17.

Work in progress was installed within Church Lane Community Gardens for Barbican curated festival Leytonstone Loves Film (28th and 29th September, 2019), including a performance and sound event and herbal apothecary talk.

March 2020 – Camden Arts Centre – sculptural installation and plant journey on Hampstead Heath as part of public programme for The Botanical Mind: Art, Mysticism and the Cosmic Tree – CANCELLED owing to pandemic.

Autumn/Winter 2020 – artist commissioned plant connection guide to accompany the Camden Art’s Botanical Mind show here –


collaborators – Nicole Bettencourt Coelho | Rasheeqa Ahmad | Fernanda Muñoz-Newsome | Madeleine Botet de Lacaze


chant of the waleswan

BREADROCK, I Carry You in My Eyes

 (2018 , 16mm and digital, 3-screen film installation including sculptural objects by Fourthland)

Exhibition at Kestle Barton 8th Sep – 3rd Nov 2018 – a collaboration with artist collective Fourthland

BREADROCK is a message of mystic law conjured between people and soil.

This two part exhibition comprising installation and 16mm film presents the critically acclaimed show BREADROCK, I feel like doing this from PEER London and BREADROCK, I carry you in my eyes, developed at Kestle Barton.

Both works display a visceral homage to cultural history, memory and universal myth, melding sculptural practice with experimental and ethnographic filmmaking to create new kinships and folklore.

BREADROCK, I carry you in my eyes, made in collaboration with local and diverse communities gathering on the Lizard Peninsula, includes a series of cross-cultural sharings with local Syrian families. The 16mm film and sculptural pieces present echoes of the Chant of the Whaleswan, the new myth that formed between people, including soundscape and performances.

BREADROCK, I feel like doing this, made in collaboration with residents of the Wenlock Barn Estate in London comprises a 16mm film and collection of quasi-mystical sculptures, drawing on the rituals and artefacts of the Estate’s Bangladeshi, European, Kurdish, Serbian, Turkish, Ugandan and West Indian communities. The work, co-curated and performed by residents, manifests their inner worlds.

BREADROCK was exhibited at Kestle Barton across the galleries and gardens between September – November 2018

Supported by Arts Council England, Awards for All, and Kestle Barton


breadrock 4

BREADROCK, I feel like doing this 

(2018, 17′, 16mm)

Fourthland with Rosalind Fowler  – PEER, 23rd February -14th April  2018. 

BREADROCK is a new film and sculptural installation for PEER, by Rosalind Fowler and artist collective Fourthland (Louise Sayarer and Eva Knutsdotter). The work is a visceral homage to cultural history, memory and universal myth. Melding experimental and ethnographic filmmaking, the work presents a series of staged vignettes drawing on the rituals and artefacts of the Estate’s Bangladeshi, European, Kurdish, Serbian, Turkish, Ugandan and West Indian communities, to create new kinships, myths and culture.

Shot on 16mm film against the artists’ makeshift stage sets of textiles, paintings, and objects in a public garden on the Estate, BREADROCK, I feel like doing this manifests the inner worlds of Wenlock’s inhabitants: a Bangladeshi woman wearing her wedding dress buries a symbolic ‘umbilical cord’ in front of forty guests to mark her son’s birth; a West Indian man channels his deceased grandmother through an old-fashioned telephone and a cosmic donkey; another man surrounded by sheet music conducts an invisible orchestra and symbolic ancient rock, inspired by his love of geology; and others slowly process and gesture, holding bowls and plates aloft. The soundtrack is a composition of raw sounds improvised from domestic household objects found in a resident’s flat.

Close to the large-scale projection of the film in PEER’s street-facing space, pieces made by the artists – inspired by their exchanges with the Wenlock community – and objects belonging to residents, form an assemblage of quasi-mystical sculptures.

Fourthland have been working with the residents of Wenlock Barn since 2008, on projects connecting the land and people of the Estate. BREADROCK is Fowler’s first collaboration with Fourthland.

Supported by Arts Council England, PEER, and the Paul and Louise Cooke Endowment. Sound edit by Alejandro Tarraf.




(2016, 20′, 16mm and digital, sound artist: Andrej Bako)

A 2-screen film installation evolving out of  a 2015-16 artist residency at the William Morris gallery.

8th October- 9th November 2016 Barbican Foyer Art Commission – pedal-powered installation

7th October-6th November 2016 – William Morris gallery installation

Saturday 20th August 2016 4pm Somerset House Edible Utopia – talk and work in progress screening

16-17th July 2016 Walthamstow Garden Party (work in progress, pedal-powered screening)

NowhereSomewhere is a 2-screen film installation inspired by Morris’s utopian novel News From Nowhere. Fowler explores resonances between Morris’s vision and Organiclea, a food growing co-operative based in Waltham Forest. The footage, shot over the Autumn and Winter seasons is combined with fragments of gardeners performing readings from News From Nowhere. On a second screen, as the new growing season arrives and seeds are planted for the coming year, community members share their own dreams for a ecotopian society. The work includes 16mm film, hand-processed by Fowler at Organiclea using an ecological formula. She worked on site in a temporary film lab, and experimented with natural plant dyes to create the film.

The final piece was made in collaboration with sound artist Andrej Bako, who created a multi-channel sound piece for the installation. The installation is accompanied by Fowler’s seed packet project, through which gardeners around the Borough shared their visions for the city of the future on empty seed packets.

Supported by Arts Council England, Barbican, and the William Morris Gallery

flint _1.1.1


(2014, 11′, 16mm, sound and compositions: Clay Gold)  

25th February 2016 – Milton Keynes gallery

13th February 2016 – l’abominable, Paris

29th March 2015 – Flatpack film festival, 2pm, Videostrolls programme. 

11th January 2015,  Tamesa screens atICA as part of London Short Film Festival, 2pm. 

Tamesa nominated for Best Experimental Film Award at LSFF, and screened again in 2020 as part of a retrospective of artist work through the history of the festival. 

31st October. New short film Tamesa commissioned for the recently opened NOW gallery, Greenwich, as part a a programme entitled ‘Unshore: the Artists’ Thames’. 7.30pm. Curated by Gareth Evans.

A performance in which the artist searches for traces of the river Thames’ distant past by processing 16mm film on the foreshore using water collected at low tide. The experiment takes place adjacent to Battersea bridge, a site where archaeological finds suggests significant ritual activity. Images of water patterns and foreshore detritus are combined with close-up textures of pre-historic objects such as skulls and flint axe-heads discovered in the area.  Watermarks and particles of ancient river silt cling to the resultant film’s surface, their abstract formations a portal to the unseen forces at work in the river.

Supported by NOW gallery

lord of hood2

Folk In Her Machine 

(2013, 47′, 16mm and digital, sound artist: Andrej Bako)

5th March (2016) Alchemy Film Festival – video strolls programme

26th November (2014) Cafe Oto Project space screening with William Raban’s Time and the Wave (2013) plus Q&A with both filmmakers, 1-7 Ashwin st, E83DL, 7pm for 7.30 start. £3 students and unwaged | £5 unwaged.

October (2014) Milton Keynes gallery installation throughout the month.

31st August (2014) Portobello Film festival within Art and Culture programme. 6-10.30pm, Portobello pop up cinema

12th July (2014) New Community Spaces: Collaboration and Creativity in the Landscape, Hooke Park, Dorset. Symposium and screening.

1st May (2014) Plymouth Arts Centre. Screening throughout the day to celebrate May day, plus on Wednesdays and Saturdays throughout the month of May. Screening and artist talk Saturday 31st May. Film: 1.30pm/talk: 2.15pm. Interview here.

9th May (2014). Fundacao Manuel Antonio da Mota, Porto, Portugal. Screening event/artist talk .

6th March (2014). William Morris gallery in Walthamstow. Screening event/Q&A as part of a late night opening of Jeremy Deller’s Venice bienalle piece ‘English Magic’.

1st February (2014). Folk In Her Machine premiere: PLACE: Common Grounds, Snape (Suffolk). An annual cross-platform event curated by Gareth Evans (Whitechapel gallery).

December 2013. Installation in group show: ‘Tradition’, Pumphouse gallery, London.

20th April 2013 Soundfjord gallery, London. Work in progress screening as part of an exhibition called Sbarbi’s Arrow by Duncan Whitley.

Tuesday 16th April 2013, Cafe Oto. Feeling Sound: A Night of Shared Listening with Rosalind Fowler, Ian Rawes, David Toop, John Wynne and Duncan Whitley. This will be an evening of shared conversation and questions, inspired by the show.

The film starts and ends in London and is told from the perspective of a female narrator who looks back over the archive of footage she has collected over the years on her repeated visits to two seasonal folk traditions in England, Haxey Hood in north Lincolnshire and May Day in Padstow. Her voice is interspersed with those of people she meets on her journeys, describing the significance of the rituals for them. Folk in Her Machine is a sensual film essay on the meaning of place and belonging in a global world, and a meditation on the nature of filmmaking. Shot on a combination of 16mm and digital cameras, the film is narrated by actor Jodhie May.

Supported by Arts and Humanities Research Council



Invisible dialogue

(2014, 2.5′, 16mm)

a collaborative experimental film made with 3 other artists selected for Jim Hobb’s One Hundred Foot III programme. Screening details below:

23rd Jan, (2016) 17. Dresdner Schmalfilmtage, Dresden in competition

Sat 14th Nov (2015) Cornwall film festival 

7th July, (2015) Jerwood gallery

15th May (2015). Lo&Behold gallery, 7pm

Latitude festival (2014) Film premieres as part of Jim Hobb’s 100ft programme. 



What Lies Below

(2015, 17′, 16mm and digital, sound and compositions: Clay Gold)

25th November/16th December – Kings college, Nash lecture theatre, Strand

Thurs 24th September

20th May 2015 – Preview screening, BFI, 2pm

Short film supported by the Wellcome Trust in partnership with the BFI and

Set in 2054, a time when soldiers have been programmed to forget their actions and robots command the front line of war, a mother reads to her daughter from a notebook written in 2015 while she was still working as a military psychologist. Recounting the dreams of soldiers, she reflects on the impact of killing on the human psyche and the inevitable technological advancements that led to a complete denial of conscience.